Written by: ruth

How to get an identity that grows with you

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Flexible identities are a necessity – they need to be easy to apply to a wide variety of print and screen situations; logos need to sit comfortably with others when partnering other brands, and they should be easy to adapt to reflect developments in your offer. There are just a couple of things to bear in mind to get an identity that grows with you.

First, list the different applications where your identity will be used, and put that in your design brief. And – as far as possible – indicate any future developments.

Then choose designers who have designed flexible identities that you like.

UP Projects commissioned us to design the identity for their Secret Garden Project which began in 2010. Three years later, the project is about to expand to South East London in the borough of Lewisham. The logo needed to adapt, and it was simple to add another line to the bottom of the logo, and use the existing typography and colour to signify the relationship between the project and Lewisham.

The logo needs to exist on screen in a banner format, as well as in print. Using a simple typography-led logo makes the change in format quick to execute.

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And the tiny insects and plants around the logo are easy to dot around any design to add more character to the communication when called for, but equally can be left out when not required.

category How to..., Identity Design
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Secret Garden Project identity pops up again

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The Secret Garden Project (curated by UP Projects) continues to thrive, and the REG-designed identity for the project has popped up again, this time on a large circular floor vinyl at the Pumphouse Gallery Common Knowledge Exhibition.

category Exhibition Design, Identity Design, Print Design, What's New
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Dark arts and mere mortals – the client-designer relationship played out on TV

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TV’s family business fixer, Alex Polizzi, was on BBC 2 last night, fixing family businesses with (amongst other things) new logos.

Alex described the design process as “a dark art, that mere mortals can’t understand”, when graphic designer David Revell presented three logo ideas to the family owners of Denver Mills.

Dark art and mere mortals?

Design doesn’t have to be a mysterious process, and the designer-client relationship ideally is a collaboration where all input is equally valued. That’s what we aim for.

And their designer couldn’t have been clearer or more professional in his presentation. Three ideas based on three concepts that could be explained in about three words. Great! And they chose the best one (pictured above).

One thing Alex was right about, a logo that communicates what you do and the special way you do it is essential for a business to thrive.

category Identity Design, Uncategorized
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How to get a logo designed, Part 2: finding a designer

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It’s good to have a few designers in mind, to give you choices about cost and chemistry (it should be a fun collaboration, not a worryingly mysterious process).

Word of mouth recommendations are ideal. But if that’s not possible, look out for designs you like with a suitable feel, and a quick google usually shows who the designer is. Designers respond really well to an email or phone call that starts with “I saw (x) design you produced for (x) and I thought it was great, so I’m getting in touch to see if you would be interested in maybe designing for me”.

If the following conversation suggests the designer has a good understanding of your situation, ask them to provide a fee proposal, based on your brief.

If you’re thinking…

(1)   I’m not sure if I’ve written my brief right?

(2)   What if the quote turns out to be over my budget?

(3)   What if the design doesn’t turn out like I wanted?

… then

(1)   Designers can work with you to pin down the brief. It’s really important that designing doesn’t start until it’s very clear what is required. We’ve got a list of the essential headings to help write a good brief, which you can download here.

(2)   Negotiation is fine. Together with the designer, come up with ways to reduce the design time required (e.g. reduce the list of items you require the design to be applied to).

(3)   Ask the designer what they have built into their design process to make sure this doesn’t happen. We split the process into simply defined stages, and we don’t go onto the next stage until our client is happy with the one before.

So, you’ve found a few designers whose work you like, who have a good understanding of your needs, and are going to get back to you with a fee proposal. You’re happy that you’ll be involved enough in each design stage to avoid getting a design you didn’t really want. And, if the quote comes back too expensive, you can always negotiate. Great! Part 2 is now complete.

If you’re interested in finding out more on design costs and how prices are worked out, ‘How to get a logo designed part 3 – how much do they cost’ is coming soon!

category How to..., Identity Design
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Britain’s best design is a website

gov.co.uk

A website has beaten off competition from chairs, a skyscraper, catwalk collections and fancy lamps to win the Design of Year award from the Design Museum. Here it is: https://www.gov.uk/

It doesn’t look very ‘designer’. Instead, the judges valued “its well thought out yet understated design, making the user experience simpler, clearer and faster”. Its designers (the government’s in house design team) also managed an “elegant, and subtly British” look, with a “simple and clever” design.

It might look a bit on the plain side, but hurrah for graphic design that makes people’s lives better on a daily basis. A fine thing to aim for and be inspired by.

category Website design
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Logotype

Logo Type

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A logo designed by REG for AAH (the Association of Art Historians) has been featured in the book Logotype. Published by Laurence King, Logotype is the definitive modern collection of logotypes, monograms and other text-based corporate marks.

 

category What's New

RAP leaflet

RAP

A poster to publicise the student Retention and Achievement Programme at Central Saint Martins. Printed with eye-popping pink ink on yellow paper, using the very economic but very groovy Riso printing process.

 

category What's New

Park Art

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Identity, signage, leaflet and e-invite for Park Art, part of Haringey’s cultural offer for the London 2012 Olympic Games, curated by Up Projects.

category What's New